i just watched this video (embedded after the jump) from elliott earls, artist in residence for graphic design at cranbrook academy of art. it was a great reminder for me that the form and how it is made is incredibly important. it reminds me to ask big questions about the work i am making and how it can and should challenge dominant paradigms. not that i need to work as elliott does, but to really push my beliefs and values into my work and consider how those things are communicated through the work. i have been talking a lot to my seniors in visual advocacy about how graphic design and design thinking can really make a difference on a socio-political level, beyond traditional awareness campaigns. we have talked about form and process before, but not as much recently as issues of self-initiated work, the designer's role in a project or in relation to a community and things of that nature. this excerpt from earl's talk is a great reminder for me to keep questioning all aspects of how design functions and to embody how i believe it should function and look.
Elegant Dissent: Elliott Earls talk at the ICA Boston from Elliott Earls on Vimeo.
thanks to cameron perry, one of my students at kcai, for posting this on his blog. another great reason to be a teacher -- continuous exposure to a whole network of ideas and sources.
I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.
-- sol lewitt
but can't the same be said for any job? should we not want to create and produce simply because we are intrinsically compelled?
Nothing dollarable is safe, however guarded.
-- john muir
(from a message to the 1908 Governors Conference on Conservation)
oh, the ironies of patriotism
labor day weekend i found myself meandering through a buffet line when i picked up a napkin before retreating to my seat. that napkin was designed to look like an american flag. "well," i said to myself ironically, "isn't that simultaneously patriotic and cute?" only when i began to utilize my napkin for its intended purpose did i realize the implications of such a design.
in the graphic design department at kansas city art institute, we talk a considerable amount about "the user's experience" and how important it is to plan for. use, context, process, attitudes, etc are all very important factors in how the designed artifact is utilized and the meaning that is gleaned from it. after wiping my mouth a couple of times it became painfully clear that the designers of this napkin had not thought about "experience" at all. so here i am, soiling "the flag" with veggie burger juice and other food residue, wondering about the good people who bought these napkins in some attempt to express a love for their country and if they thought the same things as me when they wiped their faces.
shenanigans from the yes men
the yes men have been an inspiration to me ever since i saw a short film about their antics involving one of them posing as a world bank representative at a financial conference in europe. they more recently produced 100,000 copies of a fake new york times newspaper with all kinds of optimistic headlines such as an end to the iraq war, among other events.
i received an email giving some vague indication that they are up to more pranks related to forcing the u.s. government's hand on global warming. apparently there is a global summit planned in december, and all i can tell from the email is that they need a good chunk of money, people in new york that can sew, and people willing to get arrested for civil disobedience. awesome. there is a bit of info about the global warming issue and a sign up for the civil disobedience at the beyond talk website.
grad school notes
design: help!?
i recently had a lovely lunch and conversation with my summer intern, logan smith. we were talking about all that dreamy naive stuff that design could do to improve the world and logan mentioned that he wants to use design to help people. a noble cause, and a goal that i share, which i guess explains why we're working together this summer. i got to thinking later on, "what does that mean exactly?", because it can mean really different things to different people. we also have to ask more specifically, "help people do what?" value judgments quickly come into play as to what causes are worthy -- the comprehensive identity design for the third reich helped the nazis effectively add to their ranks, but can also help someone navigate the home ownership process or compare the ecological footprints of competing products.
sure, design can help us select a brand of frozen food, but is that just a rationalization of the profession's status quo? by "help" in that sense, do we really mean "persuade"? and, really, do we need more people to help us with those types of decisions. there are plenty of designers out there ready and willing to shoot sexy food shots and all that, but not that many really willing to take on the thankless tasks of educating or informing in ways that are truly needed or beneficial for society.
but the major point here is that it's up to each individual to determine what causes are worthy of design help, or what audiences are in most need of our help. a few questions may prove helpful in thinking about those issues:
- am i helping someone to become more thoughtful?
- am i helping in their education?
- am i helping them make better decisions?
- am i helping increase health, well-being, equality, justice, (insert your preferred value here)?
spamtacular
i just thought everyone would like to know that today i received an email from someone apparently named "pancake". my life is now complete.
black panther newspaper covers
just found this website with lots of images from the black panther newspaper, designed by emory douglas.
black panther party newspapers 2 pages, 23 images
revolutionary art from emory douglas from the same site, 21 images, including douglas' "position paper #1 on revolutionary art"
aiga has a pretty interesting article on douglas here.
his dedication to his work is admirable -- 13 years designing and publishing the weekly bpp paper. i wonder how many designers are out there today with the same dedication to something outside of the insular world of graphic design culture.
designing manifestos
i often think, back in the nether regions of my wee brain, about the design of social structures, social institutions, relationships or however you might describe something like "the church" in a general christian sense or "anarchism" in an applied and everyday sense. recently in the visual advocacy class at kcai some of the students have been working on manifestos, which i view as perhaps a personal version of the aforementioned structures/institutions. the manifesto can easily scale with few modifications to serve larger groups of people. i believe the same process applies to both individual and society in that principals and beliefs are the starting points and actions are (or should be) the direct outgrowth of that. "i believe this way and therefore i will act in this manner". easy enough in theory
what spurred this post was the rediscovery in one of the many piles in my house of a photocopy entitled "radical principles: 10 declarations of the radical church". it's a chapter out of this book called "the global house church movement" it is very much a manifesto (if that is your preferred term) in that it makes declarations and backs them up with a rationale. i think what draws me to documents like this is that someone has enough backbone to actually say "i believe this and i'm going to stake out some territory around it, and here's why". maybe i'm wrong, but i don't think that happens very much. i just think it's important to have an opinion on things like how one wants to run their life
there are a lot of things i really like about the "radical principles" document that make strong connections between christian living (following jesus through living in love) and -- okay, i'll say it -- anarchist living. and by anarchist i mean non-hierarchical, non-coercive relationships determined by free association. anyway, a few examples
declaration 2:
we declare an apostolic heritage vs man-made institution
just saying how humans have built up these useless structures that are actually non-biblical and detrimental to living a genuine faith. we need to get back to the basics of apostolic christianity.
declaration 4:
we declare a grassroots church vs state-church partnership
stating how the comingling of state and church interests often results in oh-so-joyous things like military/religious crusades, inquisitions, persecutions, and have totally ruined christianity's real meaning for most people. as a side note, this one really really frustrates me personally because i feel that what people most often reject God because of the idiocy of his followers. what they are rejecting is not really God, but man-made institutions that soil His name and intentions for us.
well, this document goes on to declare things like "citywide church vs denominations", "common people vs holy clergy", "common meetings vs holy rituals", "common homes vs holy buildings", "common days vs holy days", and "common goods vs holy fees". yes, those are radical notions compared to our normal conception of "the church", and i like it. yes, i like it (fiendish wringing of hands goes here).
i suppose this is design in that there is an end goal (peaceful, loving relationships or what-have-you) and you put together a plan to achieve it (the manifesto, in this case). it obviously differs from graphic design in that the results are not visual but actions. i think the two can, and should, inform each other. i just wanted to comment on this because i enjoy thinking about the relationships of scale between individual and collective beliefs, statements of belief, application / manifestation of beliefs, and how all that can be done in a deliberate and empowering way. it's just really interesting to ponder how we might set up a few strong and meaningful principles that have profound consequences for how we live our lives individually and in relation to one another.