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designing positive change

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missouri state university visit

 cedomir kostovic, my host and professor, in his office.

cedomir kostovic, my host and professor, in his office.

 participating in senior class critique.

participating in senior class critique.

 one section of cedo's senior design studio, where i served as a guest critic for their social change project pitches. 

one section of cedo's senior design studio, where i served as a guest critic for their social change project pitches. 

 another section of cedo's senior design studio, where i served as a guest critic for their social change project pitches. 

another section of cedo's senior design studio, where i served as a guest critic for their social change project pitches. 

 dinner with (front row, left to right) me of course, professors roman duszek, cedomir kostivic, maria michalczyk, and fellow alum matthew evans.

dinner with (front row, left to right) me of course, professors roman duszek, cedomir kostivic, maria michalczyk, and fellow alum matthew evans.

about eight months ago, my former professor, cedomir kostovic, emailed me with an invitation to come and lecture at my alma mater, missouri state university. springfield, missouri is home to a highly unlikely, high-quality university design and illustration program staffed by instructors hailing from the u.s. (maria michalczyk, first generation of polish emigrants), bosnia (cedomir), warsaw (roman duszek and jacek fraczak), moscow (eric pervukhin), and north korea (kay youn) . needless to say, it was a great honor to be invited and i immediately accepted. 

after various attempts at a workable date, the week of october 21 was decided upon. by the fall, the event had expanded to a solo exhibition of my work and class critiques in addition to the lecture. the original impetus of the visit was to talk about my work in the social change sector so that became the focus of the exhibit as well. 

cedo offered to host me, which provided many opportunities for conversation at the start and end of each day. i arrived late monday night in order to set up the show first thing tuesday morning. cedo loves to cook and had prepared a bosnian pita for me, which is a phyllo dough rolled into a tube and stuffed with all kinds of possible things, then turned in a spiral to resemble a pizza shape. this one was stuffed with zucchini and butternut squash and was awesome. no pics, unfortunately. i'm surprised i didn't get fat, as he consistently plied me with granola or oatmeal, fresh fruit, juice, tea, etc. every day.

exhibit setup went pretty well overall, except for the fact that i forgot about a fourth of the work in k.c. luckily after lunch with carolyn cardenas, the chair of the art + design department, i had time for a six-hour detour to k.c. and back to get the work. with the help of several stellar and meticulous students, and some more home-cooked food from cedo, we were able to get the work up by around 11:00 that night. 

 

 jared horman helping with exhibit setup.

jared horman helping with exhibit setup.

 exhibit setup. 

exhibit setup. 

 matthew vargas, bryan burke, and hillary schmitz help set up the show.

matthew vargas, bryan burke, and hillary schmitz help set up the show.

the next few days were pretty leisurely mix of meals with students and faculty, class critiques, and visiting my old roommate, pal, and printmaking professor, marcus howell. the students pitched a lot of interesting ideas, ranging from raising awareness about krohn's disease to devising a new economic model for artist exhibiting their work publicly and everything in between. there were several new topics the students wanted to address that have not been dealt with, which is a sign of smart thinking on their part. 

 

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i was able to arrange a couple of additional meetings which were quite beneficial. the first was some time with instructor kay youn, who has managed to start up an internal studio with student interns that does work for internal and external clients. i'm always interested in the various foci, models and structures as i move forward with the new programme. it was helpful to see what he's accomplished so far with his studio. the other meeting was a visit to the home of roman duszek, where i was graciously treated to a lunch, great conversation about design, and a personal review of his poster, logo, personal, and art works. pretty amazing stuff and a real treat to be able to re-connect one-on-one with roman. 

friday was the day of the talk and reception for the exhibition. i focused my talk on identifying traits and qualities that make "design for social change" different from "traditional" design and its value. i also showed process work from a couple of my projects, my spread love poster and m.c.e.d. identity, which benefitted from the brainpower of  students jessi wilson and anna de sando. 

all in all, it was an awesome trip and i'm very glad i had the opportunity during my sabbatical to do this. thanks kcai and thanks msu! 

 prepping work for the show.

prepping work for the show.

  "stand up kc" campaign materials, in support of a living wage and better working conditions for k.c. fast food workers.

 "stand up kc" campaign materials, in support of a living wage and better working conditions for k.c. fast food workers.

  "stand up kc" fliers, worker's bill of rights, and event documentation.

 "stand up kc" fliers, worker's bill of rights, and event documentation.

  "pay up kcp&l" poster series, logo series, and event documentation. this project takes the energy monopoly to task for tax avoidance, high executive pay, and constant rate increases. collaboration with abby carr, jessi wilson, erica downin

 "pay up kcp&l" poster series, logo series, and event documentation. this project takes the energy monopoly to task for tax avoidance, high executive pay, and constant rate increases. collaboration with abby carr, jessi wilson, erica downing, and david duncil. 

  "pay up kcp&l" fliers and shirt. collaboration with abby carr, jessi wilson, erica downing, and david duncil. 

 "pay up kcp&l" fliers and shirt. collaboration with abby carr, jessi wilson, erica downing, and david duncil. 

 kc99 shirt and protest posters, in support of better pay for low-wage workers in k.c.

kc99 shirt and protest posters, in support of better pay for low-wage workers in k.c.

 bike in movie poster series. collaboration with michael jumper and ben hlavacek. 

bike in movie poster series. collaboration with michael jumper and ben hlavacek. 

 consensus vs voting poster diptych.

consensus vs voting poster diptych.

  "eat death" personal t-shirt  and informational hang tag project. far right—"overhaul the hub" fundraising campaign materials for 816 bicycle collective. 

 "eat death" personal t-shirt  and informational hang tag project. far right—"overhaul the hub" fundraising campaign materials for 816 bicycle collective. 

 "we know for a fact there are weapons there", ari fleischer quote. personal letterpress and stencil poster on the iraq war.

"we know for a fact there are weapons there", ari fleischer quote. personal letterpress and stencil poster on the iraq war.

 misc. personal posters and grad school work. 

misc. personal posters and grad school work. 

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 "nobody" yard sign about a past presidential election, "the art and science of trickle-down bullshittery" about trickle-down economic theory, and "spread love" about practical ways to help the homeless. 

"nobody" yard sign about a past presidential election, "the art and science of trickle-down bullshittery" about trickle-down economic theory, and "spread love" about practical ways to help the homeless. 

 short film about using animals for food. graduate thesis work exploring persuasive / dialogic / rhetorical storytelling.

short film about using animals for food. graduate thesis work exploring persuasive / dialogic / rhetorical storytelling.

 short film from the kcai/umkc "artsounds" series of collaborations. this piece was a piano / spoken word performance about the persecution ocar wilde endured for being a homosexual. 

short film from the kcai/umkc "artsounds" series of collaborations. this piece was a piano / spoken word performance about the persecution ocar wilde endured for being a homosexual. 

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tags: lecture, exhibition, critique, social design
categories: portfolio, posters, sabbatical, social design
Monday 10.28.13
Posted by tyler galloway
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