Close

conversation maps, part 1

Posted on by tyler galloway

three years ago i had an idea in an elective i taught, called stories of the city, that i referred to as "conversation maps". the point was to use them as a way to record interactions with people in the community, organize the information, and be able to utilize it to gain new insights. 

finally, i'm actually attempting to use it myself to map a couple of my initial interviews with k.c. bike activists. it's not all pretty just yet and it may not get any better. it was somewhat useful to go back through my notes and do this. i hope it will help me to sort through issues and ideas more easily as i move forward.

screen grab of the top half of the map. 

screen grab of (most of) the bottom half of the map.

experimental typographic film

Posted on by tyler

more work from the portfolio…

personal narrative combining experiments in filmed analog typography with digital manipulation. experimenting with two contrasting modes of storytelling — literal, linear prose and visually charged words / fragments.

hierarchy vs sequence

Posted on by tyler

isn't what we normally refer to as "hierarchy", particularly in typographic terms, actually "sequence"? let's take a look at the two terms: 
hierarchy - a system or organization in which people or groups are ranked one above the other according to status or authority. an arrangement or classification of things according to relative importance or inclusiveness.  sequence - a particular order in which related events, movements, or things follow each other.  
i ask this question because i wonder if a headline is really more important than the specific content it aims to summarize, or if the contact information for a company is actually less important than the logo.  i relate this back to larger things/metaphors such as the supposed equality of human beings (stated in the declaration of independence -- "...all men are created equal..." as opposed to the popular idea of the divine right of kings) where we should know that all people are indeed of equal importance, but are given different strengths, weaknesses, and purposes to fulfill in society/life. more simply stated -- not better or worse, just different.  so i would suggest that each element in a designed artifact, whether it be type or image or what-have-you, is not necessarily better or worse or more or less important, but simply has a different role to play. but maybe this is not true. maybe some bits of information are less important. if so, why bother to include them?  what do you think?   post-script: an important follow-up question is whether this affects our form-making, and if so, how? does a new-found respect for the importance of detail information cause us to treat it more respectfully in a visual sense? does it visually flatten out our "hierarchy" or have no visual effect at all? i'm curious...
Read More

no caps, please

Posted on by tyler

recently a former student asked me why i never use capital letters, citing possible confusion with punctuation (e.g. comma vs period) which could be clarified if caps were used. here's how i replied, in case you care at all... i guess at small sizes periods and commas could be mistaken, but you also have the clues of sentence construction. for example, when i say "for example", you know to expect an example to follow after the pause. you wouldn't expect a period, and therefore, an incomplete sentence. anyway, a typeface should be well designed enough to distinguish those things when used at the appropriate size. my reasons for all lower case, simplified 1) only use one symbol to represent one sound (see bradbury thompson's alphabet 26) 2) fewer symbols simplify the alphabet and eliminate unnecessary / redundant forms. 3) a period or other punctuation and a space are enough to signal the end of a sentence. no need to have a cap as well. 4) getting all anarcho-theoretical, caps are hierarchical and dominant over lower-case letters. an all lower-case alphabet is more egalitarian. 5) not hitting the shift key while typing eliminates extra keystrokes, thought, and time. numbers one through four can be refuted pretty easily however. 1) there are often multiple symbols to represent all kinds of things, and we learn those just fine. (still doesn't make it efficient though) 2) simple is good, but if multiple forms are easy to learn, why not have them for more flexibility and variety in our alphabet? sometimes all caps makes a nice designerly shape and we love to have options when making typographic form. 3) sometimes when reading quickly belts and suspenders work very well to hold the pants up. 4) how nit-picky should one get when desiring to abolish hierarchy and dominance? (well, my stock and trade is the alphabet so if i design typefaces, i'll do it according to my values, not tradition) the end.
Read More